Atomos Ninja V 5" 4K HDMI Recording Monitor
Atomos Ninja V 5" 4K HDMI Recording Monitor จอมอนิเตอร์ทัชสกรีนขนาด 5 นิ้ว ความละเอียด 1920x1080 รองรับสัญญาณอินพุท 4K HDMI บันทึกสูงสุดที่ 10-Bit 4:2:2 ProRes & DNxHR
- 1920 x 1080 Touchscreen Display
- 10-Bit Exterior Viewable Monitor
- 4K HDMI Input
- 1000 cd/m² Brightness
- AtomHDR Mode with 10-Stop Dynamic Range
- 10-Bit 4:2:2 ProRes & DNxHR Encoding
- Records to Mini SSDs
- Supports a Variety of Log Formats
- Single Sony L-Series Battery Slot
The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.
Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit.
Designed with an interface that differs somewhat from prior units, the Ninja V's HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit's upper left corner.
With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
Supported Log Formats
ARRI Log C
Canon CLog / CLog 2
Sony SLog2 / SLog3
ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
Canon CLog / CLog2 / Clog3
RED LogFilm / Log3G10 / Log3G12
Sony SLog / SLog2 / SLog3
ARRI ALEXA Wide Gamut
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out
4K 60p Capabilities
Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.
5" Daylight Viewable Screen
The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
HDR Signal Management
Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.
Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.
The Ninja V features a bidirectional high-speed video port along with power and audio which allows future expansion modules to increase the Ninja V's capabilities.
Display Size: 5.0" / 12.7 cm
Screen Resolution: 1920 x 1200
Aspect Ratio: 16:9
Maximum Brightness: 1000 cd/m2
Bit Depth / Color Support: 8-Bit+FRC (1.07 Billion Colors)
Pixels Per Inch (ppi): 427 ppi
LUT Support: Yes
Video: 1 x HDMI 2.0 (HDMI Type A) Output
1 x HDMI 2.0 (HDMI Type A) Input
Embedded Audio: HDMI: 8-Channel
Audio: 1 x 10-Pin LEMO Input/Output
1 x 3.5 mm Line Input
1 x 3.5 mm Mic Input
1 x 3.5 mm Headphone Output
Built-In Speaker: None
Power: 1 x Barrel Input
Other I/O: 1 x LANC (2.5 mm)
Card Slot: None
Video Format: HDMI (8/10-Bit 4:2:2)
DCI 4K: 24/25/30/50/60
UHD 4K: 24/25/30/50/60
Pulldown Conversion: 2:2, 3:2
Encoding Formats: 3840 x 2160
ProRes 422, LT, HQ
DNxHR HQ, HQX, SQ, LB
Recording Media: 1 x 2.5" SSD (SATA III)
DC Input Power: 6.2 to 16.8 VDC
Battery Type: 1 x L-Series
Power Consumption: 10 W (Typical)
19 W (Maximum)
Material of Construction: Aluminum, Polycarbonate
Dimensions (W x H x D): 5.94 x 3.6 x 1.22" / 15.1 x 9.15 x 3.1 cm
Weight: 11.3 oz / 320 g